ROLE
3D Generalist
Digital Matte Painter
Concept Artist
CLIENT
ZDF Fernsehen
ScanlineVFX
PLATTFORMS
Television
Tatort Stuttgart - Stau
From director Gore Vendinski comes an horror drama that plays in an remote wellness center in the Swiss Alps. Doing his time in the mansion has actor Dane DeHaan flashbacks from his time in the rainy and moody New York City back in the 80s.
Filmed on a bridge in Hamburg was Tony responsible in creating the extension of the
3D Modeling
Extending whats real.
To help the story telling of this feature film. I was responsible for creating the moody view from the Brooklyn Bridge into the New York Skyline. besides creating the extention of the bridge entirly in 3D using Houdini and Maya. Was I also responsible for the research of the bridge doing that time as well as the concept design of it. The concepts were pitched to the director and vfx supervisor. Once it was approved I went go on to create it in 3D. I also created a slap-comp in Nuke which later got shared with the compositing department to finalize the shots.
Matte Painting & Slap comp
Building it until the horizon and with a nearly 180° wide view
To help the story telling of this feature film. I was responsible for creating the moody view from the Brooklyn Bridge into the New York Skyline. besides creating the extention of the bridge entirly in 3D using Houdini and Maya. Was I also responsible for the research of the bridge doing that time as well as the concept design of it. The concepts were pitched to the director and vfx supervisor. Once it was approved I went go on to create it in 3D. I also created a slap-comp in Nuke which later got shared with the compositing department to finalize the shots.
Quotes from the German press
Research is here key help tell the story
To help the story telling of this feature film. I was responsible for creating the moody view from the Brooklyn Bridge into the New York Skyline. besides creating the extention of the bridge entirly in 3D using Houdini and Maya. Was I also responsible for the research of the bridge doing that time as well as the concept design of it. The concepts were pitched to the director and vfx supervisor. Once it was approved I went go on to create it in 3D. I also created a slap-comp in Nuke which later got shared with the compositing department to finalize the shots.
